GUITAR ONE MAGAZINE     December 2003

http://guitaronemag.com/feature1.asp

Cover Story: Battle of the Axes

 
by The Editors

As mad scientists in our own admittedly insane musical laboratory, we had 128 of the world’s greatest guitar players duel against each other in the ultimate headcutting fantasy. Here at G1, we’re not just guitar geeks, we’re sports geeks, too. I know, I know—it doesn’t make sense to be both, but we pride ourselves in being slightly atypical. So, during one of our editorial meetings, also known as “going out for beers,” we decided against all logic to combine our love for guitar music with our love for sports. Our Battle of the Axes extravaganza, based on the bracket system used in many sports, is the result. Call us crazy, but we’re pretty excited about it: Guitarists dueling it out mano a mano, the excitement of sports, the technical dash of history’s best guitarists. The thrill of victory, the agony of … oh, you get the picture.

HOW IT WORKS
We chose 128 of music’s greatest-ever guitar players. (The number might seem strange, but we had to have a multiple of eight.) We looked at all genres and all generations, then seeded them randomly and blindly in the first round of the bracket we drew up. In each round, the duels were judged on a single criterion. Round One, for example, is judged on Chops. Round Two is based on Tone, then Originality, Versatility, Influence, Body of Work, and, in the finals, something called the “X” Factor. In each category, the grades went from 1 (low) to 5 (high). Assembled in our dark and chilly chamber, also known as “the bar,” the editorial staff of G1 dueled it out for hours. Well, actually, we voted on each and every player blindly (that is, not being aware of their opponents), rating the strength of each in the aforementioned categories, then referring back to the bracket to fill the scores in. Whoever had a higher cumulative score advanced to the next round.

Hold on! Before you run from the room clutching your cranium in confusion, we’d like you to understand that our approach is indubitably unscientific. We really put this together for our own (and, hopefully, your) admittedly juvenile fun. Still, by the looks of our finalists, we’d pit our unscientific results against all comers. And, oh, don’t forget to check out the Finals. You can play a role in this whole thing, too!

So, to avoid further complicated explanation, let us pull the curtain up on our first Battle of the Axes!

For the rest of the article and complete transcriptions of all MP3s, please refer to the December 2003 issue of Guitar One™, on newsstands now!

Or, subscribe to Guitar One™ and have it delivered straight to your door.

RESULTS:

ROUND ONE - Judging Criterion:  CHOPS    The one criterion that serves to separate most guitar players from their lesser peers:  chops.  Does a player have a decent array of physical tools to work with?   Can he express himself skillfully with those tools?  Can he hit the right notes at the right time?

In Round One, Robby scored 3.0 to beat out Duane Eddy's 2.2

 

ROUND TWO - Judging Criterion:  TONE   With half the guitarists now out of the picture, winners were now pitted against other winners and were judged by another principal characteristic:  tone.  Guitarists must possess a tone that fits their character, their style, and their emotions.  Tone can be limited to the equipment at one's fingertips, or it can come from the fingertips themselves.  Just how much magic can a guitarist conjure from his fingers?

In Round Two, Robby scored 3.4 (with a cumulative score of 6.4) but was beat out by someone named John Petrucci who only scored 2.7 in this round, but had a higher cumulative score of 7.3

 

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