John Densmore interview 

John performed with Tribal Jazz last evening, September 26, 2002 at a rock photography auction in Hollywood called Faces Of Rock which was a benefit for City Of Hope Cancer Center.   The Tribal Jazz set included a jazzy / percussive 'Riders On The Storm.' 

Tribal Jazz is a stage-full of people!   There are seven musicians besides John, including one woman.

John agreed to give me a few minutes for a quick interview after the performance ... a summary of that conversation follows.

I should mention that John looked wonderful ...  healthy and happy!   He was wearing a black & white geometric print vest over a black shirt with black slacks, with his salt & pepper hair pulled back in a ponytail like he often wears.

The recordings with Reza Derakshani at HenHouse Studios are not available yet but they will be at a future date, through their website:   http://www.henhousestudios.com/

John's Tribal Jazz recordings will be a major release early next year on the Hidden Beach label.

He is still working on his Vietnam-era novel although it is on the back burner for now, in favor of other projects.

The Project Return program that was the focus of the Road To Return documentary, is still an active prison reform program in Louisiana.

I reminded John that The Storytellers taping was two years ago that night. 

Alot of fans are confused about the current and future band situation, especially since Ray's recent statement on the Arrow 93.1 website about the future of the band, so it would be nice to hear from John on the subject.    

John answered that Stewart is a great drummer, and that he has no problem with him.  Ray can say whatever he wants about the future of The Doors and a new line-up, but that they will have to alter the band's name if Ray and Robby are going to record and tour with Ian and Stewart or anyone else.

I met John's daughter, a very beautiful young lady.    John's son is 10 years old and into sports.

John mentioned his article in The Nation from several months ago (July 8, 2002), so I told him that I knew about it and even had it on this website.    He said that in the October 7th issue of The Nation, there are some responses in support of his essay including a letter from Tom Waits.  If this link doesn't work, you can read those letters below, instead:  http://www.thenation.com/doc.mhtml?i=20021007&s=letter       John signed two personal photos for me, and then he was on his way to go collect his drums and equipment!

John's wife, actress and producer Leslie Neale, told me she has been working on another documentary for the last three years which will be released next year.   This one is focused on the issues of kids being sent to adult prisons in California and elsewhere.  I invited her to let me know when this project is finished and going to be shown, so that I can promote those previews on my site.

By the way, Leslie is a big Tupac Shakur fan.  (She told me I could put that on my website!)   One of her winning  auction bids was a photograph of Tupac.  

    <> <> <> <> <> <> <> <> <> <> <> <> <> <>

Danny Sugerman and Fawn Hall were also at this cancer benefit auction event.    Danny is working on another book of all photos, and is looking for original photographs that can be used.   We talked about my impressions of Ian's performances.   I told Danny that the review I wrote of the Harley Fontana show is a link on the official Doors website -- and that I was thrilled when I became aware of that!

exchange | Posted September 19, 2002

Perception of Doors
Link to original article.
 

Woodland Hills, Calif.

Thank you for your eloquent "rant" by John Densmore of The Doors on the subject of artists allowing their songs to be used in commercials ["Riders on the Storm," July 8]. I spoke out whenever possible on the topic even before the Frito Lay case (Waits v. Frito Lay), where they used a sound-alike version of my song "Step Right Up" so convincingly that I thought it was me. Ultimately, after much trial and tribulation, we prevailed and the court determined that my voice is my property.

Songs carry emotional information and some transport us back to a poignant time, place or event in our lives. It's no wonder a corporation would want to hitch a ride on the spell these songs cast and encourage you to buy soft drinks, underwear or automobiles while you're in the trance. Artists who take money for ads poison and pervert their songs. It reduces them to the level of a jingle, a word that describes the sound of change in your pocket, which is what your songs become. Remember, when you sell your songs for commercials, you are selling your audience as well.

When I was a kid, if I saw an artist I admired doing a commercial, I'd think, "Too bad, he must really need the money." But now it's so pervasive. It's a virus. Artists are lining up to do ads. The money and exposure are too tantalizing for most artists to decline. Corporations are hoping to hijack a culture's memories for their product. They want an artist's audience, credibility, good will and all the energy the songs have gathered as well as given over the years. They suck the life and meaning from the songs and impregnate them with promises of a better life with their product.

Eventually, artists will be going onstage like race-car drivers covered in hundreds of logos. John, stay pure. Your credibility, your integrity and your honor are things no company should be able to buy.

TOM WAITS

Glenview, Ill.

John Densmore's article was a welcome relief to this former Who fan who cringes when he hears Roger Daltrey pushing cars. Thanks!

JOE POTOMIS

Dillon, Mont.

One ad that has to be the weirdest juxtaposition of cultural imagery is the Cadillac spot that uses a Led Zeppelin riff to get us jacked up over their new SUV. "Been a long time, been a long time..." indeed!

CYNTHIA McCULLOH

Oberlin, Ohio

With John Densmore's measured flagellation of pop stars turned hucksters, let us update the lyrics to Sting's "Be Still My Beating Heart," from more reflective days:

Sink like a stone that's
been thrown in the ocean,
I've reduced my art
to Jaguar promotion.

RANDAL DOANE

Sacramento, Calif.

On NPR's This American Life, a recruit aboard a naval aircraft carrier told Ira Glass she'd enlisted because of a Navy commercial, with a heavy-metal soundtrack by Godsmack, depicting Navy life at sea. Did Godsmack realize that because of their art young men and women signed up for the military? I'll take the integrity of Densmore and Krieger any day.

PAUL MANN

Oakland, Calif.

After reading John Densmore, I'm even prouder to say that as a teenager in Mexico in the late sixties I became a Doorhead instead of getting involved in Beatlemania--a reaction against the mass media infiltrating Mexico even before globalization. The Doors were one of the few big foreign bands who gave a free concert in the Alameda Park in Mexico City. It appears that The Doors continue to go against the flow of corporate takeovers of everything. I was disgusted to hear Beatles songs selling products on TV and am pleased that I won't have to suffer the same with The Doors.

CONNIE de la VEGA

Creston, Calif.

"We ain't gonna work on Maggie's farm no more!!" A rousing cheer for John Densmore! In 1965, I asked the English poet Basil Bunting (born in 1900) if he thought there was anything new in the twentieth century. His reply: "advertising." Now, when the aging artists of the sixties become willing lackeys of the black magicians of Madison Avenue, they unwittingly attach a virus to their messages. Morrison had the good karma to be associated with Densmore and the wisdom to make each one of the Doors responsible for each choice. You've got lots of brothers out here, John, and if you ever need a place to ride out the storm, you're welcome in our teepees.

BRIAN EARL LINDBERG

Devon, Pa.

I can't remember the last time I was so moved and inspired by any one written piece or essay. John Densmore's passion, conviction and integrity are truly uplifting. Few of us are able to withstand the onslaught of the forces of money and greed. Thank you for helping me to reaffirm my own beliefs and convictions as well as restoring my faith in the higher principles of human nature.

DAVID B. SMITH

DENSMORE REPLIES

Los Angeles

A big thanks to Tom Waits for his eloquent letter. Cynthia McCulloh might be interested to know that in the Cadillac spot she mentions, Led Zeppelin was actually GM's second choice, after we (The Doors) turned down an amount of money that makes me weak in the knees. At the end you see their new SUV roar by, and it says, "Break Through," with the Caddie logo in between. They wanted it to say, "Break on Through"!

JOHN DENSMORE

 return to Ida's LA WOMAN confidential home page

 for more Doors news and reviews